The Italian Consort: Ex Tempore - COMPACT DISCS
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$150.00
Price when purchased online
Free shipping
Free 30-day returns
Sold and shipped by osteopathymasters.com
Free 30-day returns Details
Product details
| Management number | 205724277 | Release Date | 2025/10/22 | List Price | $67.50 | Model Number | 205724277 | ||
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Title: Ex Tempore
Artist: The Italian Consort
Label: Tactus Records
Product Type: COMPACT DISCS
UPC: 8007194107999
Genre: Classical Artists
Release Date: 2024-02-16
Number of Discs: 1
The singular record production "Ex tempore" is proposed to us by the instrumental ensemble "The Italian Consort", with the collaboration of Andrea Inghisciano, an exceptional guest and international star of the Renaissance cornetto. The ancestral sounds of the consort of dulciane, accompanied by the lute of Gian Giacomo Pinardi and the organ of Cinzia Guarino, guide us to listen to a repertoire of both early music - represented by composers of the fifteenth and sixteenth centuries - and contemporary, thanks to the compositional contribution of Marco Betta and Giovanni Sollima. The particular timbres of the ancient instruments are the expressive key to intricate labyrinths of contrapuntal alchemies, intense relationships with sacred or poetic texts and implied invitations to dance, in a continuous search for imitation of the human voice that in the Renaissance was considered as the absolute reference for any musical instrument.
Tracks:
Artist: The Italian Consort
Label: Tactus Records
Product Type: COMPACT DISCS
UPC: 8007194107999
Genre: Classical Artists
Release Date: 2024-02-16
Number of Discs: 1
The singular record production "Ex tempore" is proposed to us by the instrumental ensemble "The Italian Consort", with the collaboration of Andrea Inghisciano, an exceptional guest and international star of the Renaissance cornetto. The ancestral sounds of the consort of dulciane, accompanied by the lute of Gian Giacomo Pinardi and the organ of Cinzia Guarino, guide us to listen to a repertoire of both early music - represented by composers of the fifteenth and sixteenth centuries - and contemporary, thanks to the compositional contribution of Marco Betta and Giovanni Sollima. The particular timbres of the ancient instruments are the expressive key to intricate labyrinths of contrapuntal alchemies, intense relationships with sacred or poetic texts and implied invitations to dance, in a continuous search for imitation of the human voice that in the Renaissance was considered as the absolute reference for any musical instrument.
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